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EGEHUB Art: Dilek Yaman

I am a photographic and visual artist working at the intersection of memory and resistance. I approach photography as a research-based practice through which I observe, gather and rethink life over time. My work focuses on the affective, spatial and emotional traces carried by an image — on the sensations of remembering and the ways memory is formed, layered and reactivated. After a period of personal loss, I paused my practice, which brought working with my archive to a central place. The images accumulated over the years transformed into a memory field where recurring emotions, temporal fractures and layered experiences intertwined. From Istanbul’s queer nightlife to the days of the Gezi resistance, my photographs hold both the weight of loss and the strength of collective solidarity. Today, as I revisit my archive, I search for the shared emotional patterns, recurring dreams and parallel ruptures that echo across different moments. I turn the archive into a layered constellation where personal history and collective memory touch, overlap and speak to one another. Themes such as migration, belonging, identity and the question of “what is home?” lie at the core of my work. I approach them through queer and feminist perspectives, developing long-term projects that move fluidly between documentary and conceptual strategies. I use photography as a way of approaching myself — a tool for thinking, remembering and making both personal and collective memory visible.

Screenshot 2025 11 29 at 15.18.34 Screenshot 2025 11 29 at 15.18.44 Screenshot 2025 11 29 at 15.18.51 Screenshot 2025 11 29 at 15.19.02

Artist: Dilek Yaman
Exhibition Year: 2025
Years of Production: 2004–2008 (left block), 2025 (center), 2021–2022 (right block)
Medium: Archival print
Dimensions: Variable
Location: Kirte School

Current: The Cuckoo

“Life is nothing but the act of returning home; anyone who lacks inner peace seeks a way back.”

This sentence became both the source of the movement within me and the starting point of this selection.

Current is an expression of the emotions, constrictions, and disoriented search for belonging that have recurred inside me for years. Composed of two separate archives taken nearly twenty years apart, this selection makes visible the emotional continuity between my first departure from my family and my later separation from my friends. These two distinct phases of mourning point to the same inner voice, the same desire to return home.

The production process in Kirte deepened with a new sound accompanying this inner voice: the cuckoo. Its echo became a symbol of the nomadic state within me. Like this bird, which resonates its own voice inside another’s nest, I too searched for ways of leaving traces, of inhabiting a place without truly belonging to it.

During this process, a tree that I encountered—one whose trunk spirals as it grows around itself—became the visual center of the project. This tree, bending not with the wind from outside but with a movement emerging from within, turned into the metaphor of Current: an inner motion, tremors, and yet a form of rooting and staying upright. The selection is the narrative of a process of meaning-making and deepening completed in the shadow of this tree.

Current: The Cuckoo draws from the exchange history of Kirte and treats the archive not as mere documentation but as a call. This narrative, built through space, music, and memory, forms a bridge between fragility and resilience, between past and present, between the inner and outer world. This journey, which chases the question “Where is home?”, invites the viewer to pass through the threshold between dream and reality.

The selection consists of three main blocks:

  • Untitled #1–50 (left block): Archival photographs taken between 2004–2008, carrying the traces of the artist’s first rupture from the past.
  • Tree (2025) (center): The spiral-trunk tree photographed in Kirte, forming the conceptual and visual core of the project.
  • Untitled #51–95 (right block): Archival images produced in 2021–2022, reflecting the second separation experienced in more recent years.

BIOGRAPHY

  •     1985, Bursa, Turkey
  •     Bursa Girls’ High School, 1999–2003
  •     Marmara University, Faculty of Fine Arts, Department of Photography — Istanbul, 2004–2012

Solo Exhibition

  •     In Dreams, We Unite (Rüyalarda Buluşuruz)
    Ferda Art Platform — Istanbul, 2024

Group Exhibitions

  •     Cereyan: Cuckoo Bird (Guguk Kuşu) — Kime Açar Rüzgâr Kapısını?
    Ege Hub x Kirte Academy Residency Final Exhibition, Alçıtepe Village / Çanakkale, 2025
  •     Pieces of the Party (Partinin Parçaları) — Bashi-Bazouk Vol. 5
    The Empire Project, Istanbul, 2023
  •     Dogs — New Year Exhibition
    Ferda Art Platform, Istanbul, 2024
  •     Family — State of Mind
    Istanbul Fashion Week, Istanbul, 2021
  •     Şişli’de Bir Apartıman (Photozine/Fanzine Project)
    Istanbul, 2021
  •     O benim dünyam (That’s My World) — 1+1 Queer
    Boysan’ın Evi, Istanbul, 2019
  •     Family
    Mamut Art Project, Istanbul, 2019

Residency

  •     Artist Residency
    Ege Hub x Kirte Academy, Alçıtepe Village / Çanakkale, 2025

Research

  •     Turkey Art Map Research — Participating Artist
    A collaborative long-term research project with Zülal Güler, 2019–2039

 

 

 

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✒️ GAR member Dr. Didem Danış has written for Migreurop on the externalisation of migration control in Türkiye. The article “The EU–Turkey Agreement: Ten Years Later, What Consequences?”, looks back at a decade of migration externalisation and examines its consequences for

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Our new #GARBlog post, written by Alvard Avagyan: "The Missing Glyph: Biographical Kerning at the Digital Border."
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📢 Üyelerimiz Gülay Uğur Göksel ve Meriç Çağlar'ın girişimleriyle; Hubban Network, Urban.koop ve @INTERALIAPRJ ile birlikte paydaşı olduğumuz; göç, aidiyet ve yerinden edilme deneyimlerini sanat, performans ve kişisel hikâyeler üzerinden buluşturan, göçmen sanatçılarla kolektif

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  • GAR
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